Vinylly Friday, the sonic pilgrimage through groovy music, unfolded like a kaleidoscopic dreamscape at The Crown. As the stylus caressed the vinyl, the atmosphere shimmered with a reverie that transcended time. Attendees were ensconced in the euphoria of sonic delights, where musical epochs collided, and the beats of yesteryear found a harmonious resonance with the contemporary.

The pulse of the night quickened with the unmistakable strains of Primal Scream's "(I'm Gonna) Cry Myself Blind," a stone-cold killer that pulsed through the airwaves, leaving an indelible mark on the collective psyche. Denise Johnson's ethereal vocals, coupled with George Clinton's funkadelic touch, elevated the track to a celestial realm.

The dance floor reached fever pitch with Dua Lipa's "Dance The Night." Its infectious rhythm was the secret elixir that summoned even the most reluctant souls to abandon inhibition and embrace the kinetic energy pulsating through the speakers.

Jarvis Cocker's "House Music All Night Long" emerged as the unexpected thriller, a sonic curveball that added an avant-garde twist to the night. Cocker's distinctive voice and the track's eclectic beats ushered in an air of unpredictability, leaving the audience in awe of the daring selection.

The vinyl pilgrimage delved into Radiohead's "Just," a track that served as a pilgrimage within the pilgrimage. Thom Yorke's haunting vocals and the intricate guitar work encapsulated the essence of the band's sonic innovation, reminding us why they are perennial icons.

Vinylly Friday achieved a harmonious blend of timeless classics and cutting-edge sounds, creating an aural tapestry that transcended genres.